It's not too late for you to write

I won a speech-writing contest when I was 11.

Published my first short story at 16.

Earned my degree in English and Writing at 21.

Then…

Nothing.

Years of trying, stopping, dreaming about it, starting again, failing again.

A long stretch of pretending I didn’t care.

Moving on with other career paths.

Telling myself that I didn’t dream of writing anymore.

  • I started writing and publishing nonfiction professionally at 36.

  • Published my first novella at 44.

  • Had my first breakout novel at 51.

Some writers debut early.

Others — a lot of us — take the long way around.

Neither path is wrong.

  • Judith Krantz published her first book, Scruples, the same year she turned 50 years old.

  • Raymond Chandler published his first novel, The Big Sleep, at 51.

  • Alex Haley published Roots at 55.

  • Frank McCourt’s first book, Angela’s Ashes, came out when he was 60.

  • Laura Ingalls Wilder didn’t publish Little House in the Big Woods until she was 65.

It doesn’t matter when you start.

It matters that you don’t stop.

Your stories aren’t on a deadline.

Your voice doesn’t expire.

The time you’ve spent reading, observing, and living has only made you a better writer.

So if you’ve been telling yourself you’re “too late,” maybe it’s time to rewrite that story.

What’s one small step you can take toward your writing dream today?

If you hit Reply and tell me about what you’d like to write, I’ll give you a personalized action to help you get started.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Overcome your creative blocks and write with renewed energy and purpose.

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Find your writing people

Writing is a solitary pursuit.

Just you, your thoughts, and a blinking cursor.

But no writer thrives in complete isolation.

Having a community — whether it’s one trusted critique partner or an entire group of fellow writers — can make all the difference.

My first published novel wouldn’t have happened if I hadn’t connected with a writer at a seminar. That one conversation led to years of support and new creative opportunities.

I would never have written my most successful series if I hadn’t pitched the idea to a handful of writers at a conference dinner. They encouraged me from the brainstorming stages all the way through the book launch.

Two authors I interviewed for my podcast — who didn’t know each other — ended up becoming friends, co-writing a series, and eventually moving across the country to collaborate in person.

The right writing friends challenge you, inspire you, and help you keep going when self-doubt creeps in.

Where to Find Your Writing People

You don’t need a massive group — sometimes, one or two key connections are enough.

Here’s where to start:

Smaller Online Groups

Large Facebook or Discord groups can be great resources, but if you feel lost in the crowd, look for smaller, focused spaces.

Genre-Specific Communities

Writers in your genre understand the specific craft and marketing challenges you’ll face.

Workshops, Conferences, & Classes

Even if you only walk away with one new connection, that’s a win.

Social Media

Post a request: “I’m writing my first middle-grade fantasy novel. Looking for others to do writing sprints with!”

You’d be surprised how many writers are looking for the same thing.

If you’re feeling isolated, I can’t encourage you enough to take one small step toward finding support.

Writing may be solitary, but it doesn’t have to be lonely.

Who are the writers in your corner?

If you’re still searching, what kind of support would help you most?

Hit Reply and let me know.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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4 simple writing tactics

Some days, writing feels impossible.

Not because of deep creative blocks — just everyday resistance. The kind that makes opening your document feel like a chore.

When mindset shifts aren’t enough, tactical strategies help lower the friction so you can start writing and build momentum.

1. Use the 3x3 Strategy for Tiny, Achievable Goals

If “write 1,000 words” feels overwhelming, shrink the goal.

Instead of “write a chapter,” try:

  • Write one paragraph.

  • Describe the setting in three sentences.

  • Draft a few lines of dialogue.

For consistency, try the 3x3 strategy:

  • 3 small actions per week.

  • Do this for 3 months.

Even tiny, consistent actions lead to big results.

2. Do Timed Sprints & Free-writing

Set a timer for 5 or 10 minutes.

Promise yourself you’ll write something — even if it’s rambling nonsense.

No pressure, no expectations. Just getting words down.

Feeling stuck in a work in progress?

Use free-writing:

  • Journal about what’s stopping you.

  • Make a list of everything you want to include in a scene.

  • Talk to yourself about a plot hole and brainstorm solutions.

Writing about your writing often jumpstarts the real thing.

3. Break Big Tasks into Micro-Steps

Overwhelmed by the thought of editing an entire novel?

Don’t think about the whole thing — just a small piece at a time.

Try this:

  • Read through your draft without changing anything — just noticing, highlighting, making notes.

  • Fix one awkward sentence.

  • Edit one page.

Then do another.

My approach to full-book edits — do multiple focused passes:

  • One pass for spell-checked items.

  • One pass for “words to avoid” (like very, just, really, suddenly).

  • One pass for fact-checking details.

  • One pass for dialogue flow.

  • One pass for scene transitions.

Breaking edits into specific tasks makes the process less overwhelming.

4. End on a Cliffhanger (and Leave Yourself Notes)

Stop in the middle (or just before the end) of a scene.

Leave yourself something interesting to return to.

Bonus trick:

Before stopping for the day, write a quick note for your next session.

  • “Next scene: The argument at the café.”

  • “Describe the storm — tie it to the character’s emotions.”

  • “Figure out how they escape the locked room.”

It’s easier to start writing again when you already know what comes next.

If you’re feeling stuck, try one of these tactics. Tiny actions add up. And once you start moving, writing gets easier.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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Your unique writing process

What if you’re not “doing it wrong” after all?

There’s a lot of advice out there about how to be a “real” writer.

Write every day. Get up at 5 AM. Hit a specific word count. Outline everything — or never outline at all.

Here’s the truth:

Every writer’s process is different.

And that’s a good thing.

Some people make the most progress in short, daily sprints, others in marathon sessions on the weekend.

Some write in cafes, others need absolute silence.

I’ve seen writers insist that morning is the only time to write.

(I always think, They must not have pets.)

My sweet spot is 2:00 - 4:30 PM.

That’s when 80% of my best work happens.

I used to try following everyone else’s advice... and feel miserable that I couldn’t.

But the more I paid attention to what actually worked — for me — the more I realized I needed to lean into my natural rhythms.

This is one of the biggest mindset shifts a writer can make:

You don’t need to fix your process — you need to understand it.

How to Find Your Ideal Writing Flow

Experiment

Try writing at different times of day. Change locations. Play with writing by hand or dictating instead of typing.

Observe Patterns

When do words flow most easily? What settings or rituals help you focus?

Drop the Shoulds

If a method isn’t working, don’t force it. Borrow what works, discard what doesn’t.

If you’ve ever felt like you’re “not writing the right way,” hear this:

Your process isn’t wrong — it’s just yours.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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4 ways to get unstuck in your writing

I remember standing at my desk, day after day, typing and then deleting everything.

It felt like every idea I had was useless.

The harder I tried to push through, the worse it got.

No productivity trick helped — because the real problem wasn’t what I was writing, it was how I was thinking about writing.

There are two types of strategies to overcome writer’s block:

  • Tactical strategies: changing your environment, setting word count goals, using prompts, doing sprints.

  • Mindset strategies: shifting how you think about writing so you’re not fighting yourself.

Most writers try to push through with productivity hacks alone.

But if your inner resistance is strong enough, no “tip or trick” is going to work for long.

That’s where mindset techniques come in.

Affirmations

The way you talk to yourself matters.

If your default thought is “I can’t do this,” your brain will believe you.

I used to think affirmations were lame.

But then one day, in the middle of a particular brutal writing slump, I kept muttering to myself, “I don’t have to be perfect, I just have to start.”

I started using it like a mantra — and it worked.

A few sentences, a few paragraphs… Just enough to shift the inertia.

Try something simple but believable.

Mindfulness

A racing mind fuels creative resistance.

Practicing mindfulness just means observing your thoughts, allowing them, simply being with them.

Meditating — even knowing how to meditate — is a challenge for most people.

You could try something as simple as 2 minutes of deep breathing.

You could use ​the guided meditation​ I sent you.

For me, the most effective, accessible form of mindfulness is a walking meditation.

When I’m feeling overwhelmed, I go for a long walk without technology, and I always return to the page with some benefit — an epiphany, a new idea, or just feeling less anxious.

Visualization

Your brain doesn’t know the difference between a real experience and a vividly imagined one.

Imagine yourself writing with ease.

Picture your fingers moving effortlessly across the keyboard, the words flowing.

We’re writers — we’re champion daydreamers.

It’s a super-power. Use it on yourself.

Proprioceptive Writing

Whenever I feel especially blocked, I use free-writing to have a conversation with myself about the block.

Set a timer for 15 minutes and write whatever comes to mind.

Start with, “Right now, I feel…”

Then, keep going, asking yourself, “What do I mean by that?”

This helps surface the deeper thoughts fueling your resistance so your subconscious isn’t sabotaging you.

Before your next writing session, pick one of these techniques and test it out. See if it shifts anything.

And if you have any mindset strategies that work for you, please hit Reply and tell me about them!

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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The overlooked key to writing success

We think of writing as something that only happens when we’re “at our desks,” but creativity doesn’t thrive under constant pressure.

Just like our muscles need recovery time after a workout, our creative minds need rest in order to recharge and reboot.

Decision fatigue hits writers hard — we’re always making thousands of choices, from answering big philosophical questions to finding the perfect little word.

When I first started writing professionally, I worked too many hours at all times of day and rarely left the house.

I felt stressed, scattered, and miserable.

Until I started scheduling downtime.

For me, the most important day of my writing routine is Sunday — the day I don’t write.

I devote my Sundays to rest, adventure, and connection. I spend time outdoors with my partner and our dogs, and pile up on the couch together to eat comfort food and watch movies.

Beyond my weekly day off, I also prioritize daily self-care practices.

I take a 2-mile walk every morning to clear my head and spark ideas. I balance that with strength exercises, yoga, and working at an adjustable-height standing desk to maintain good posture and avoid back pain.

I observe a strict clock-out time every afternoon and reserve evenings for consuming stories that inspire me — reading, watching shows, and listening to podcasts that aren’t work related.

And I allow myself the grace to take an extra mental health day when I need one.

My ideas require a lot of back burner time.

Slow cooking.

My subconscious needs a chance to process information, solve problems, and generate new ideas. It makes all those decisions feel lighter and more inspired when I get back to work.

Stepping away from the page isn’t a setback.

I can’t tell you how many times I’ve tried to push through another hour’s work at the end of the long day with crappy results, only to get up in the morning after a decent night’s sleep and glide through the same problem in 15 minutes.

Building a sustainable writing practice isn’t just about how many words you can crank out and how often. It’s also about how you rest.

When you take care of yourself, you’re not just recharging your body and mind — you’re powering your next great idea.

What kind of self-care works for you?

Feel free to reply and share — it’s always helpful to have suggestions outside my own experience.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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Creative blocks beyond the writing

Overcoming creative blocks isn’t just about generating ideas and crafting sentences — it’s about addressing the deeper fears and challenges that show up in every aspect of your writing life.

Inner doubts creep in, not only when you’re staring at the blank page but also when you think about sharing your work with the world.

Marketing your book, building a platform, networking, and navigating the publishing process all come with their own set of challenges.

Promoting your work might feel like bragging, or you’re afraid you’ll either annoy people or that no one will care.

Platform building can be overwhelming, with so many tools to learn and too much advice pulling you in different directions.

Networking makes you feel like an imposter — cheesy, thirsty, uncool.

And the publishing process can feel like a judgment of your worth. It stirs up anxieties about rejection, bad reviews, or whether you’ve chosen the right path.

Any of these can stop you in your tracks.

But they don’t mean you’re not cut out for this. When you get clear about why they’re blocking you, you can strategically work through them.

My client Sophia’s primary fear wasn’t related to writing. During our visualization session, we discovered she was afraid of being seen.

She has published four books. Her ratings and reviews are fantastic, and she has a loyal group of readers asking for more stories. There’s no issue with the quality of her writing.

But her audience is small, and after paying for editing and cover design, she’s left with just a tiny profit from book sales.

She knows she needs to reach more readers, but she identifies as an introvert.

She has been quietly writing and releasing her books without doing any promotion at all.

She reads and admires a lot of authors in her genre, but she’s afraid of reaching out to them.

In today’s publishing world, it’s easier to get your books out there, but getting your work noticed is still an enormous challenge.

Regardless of your publishing route, you have to be willing to promote your book, which starts with simply talking about it.

We worked through Sophia’s reluctance by breaking down the overwhelming goal of “marketing her books” into manageable actions.

Her 3x3 strategy included things like:

  • Writing one social media post per week talking about where the ideas for her books came from.

  • Sending friend requests to other authors in her genre

  • Instead of cold DM’ing them, awkwardly saying “Hi. Please network with me” she’s starting genuine conversations by first recommending their books on her page and tagging them.

She’s simply practicing putting herself out there and building confidence in doing it.

What’s one fear or block “beyond the page” you’ve been facing lately?

What’s one small action you could take today to start moving through it?

Maybe it’s reaching out to a fellow writer for advice. Or researching a platform you’ve been avoiding. Or even jotting down a few sentences about your work to share online.

These challenges don’t go away entirely, but when you understand why they’re stopping you, you can break them down and they become doable.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

Work with me

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The 3x3 strategy for writers

Overcoming writer’s block requires addressing underlying fears and shifting your mindset. But real progress comes from taking deliberate actions that turn your intentions into reality.

That’s where the 3x3 strategy comes in — 3 actions per week for 3 months. This approach focuses on small, consistent steps that build momentum over time without overwhelming you.

To illustrate how this works, let me share the story of one of my clients.

Grace wanted to write a novel.

She was struggling to go from having no writing routine — and no plan — to writing every day.

She’d set an intention, choose a start date, block out 7 slots on her calendar… And then she’d manage a few days in a row before dropping off, feeling discouraged, and finding it hard to start again.

She wasn’t getting anywhere.

She was trying to move too quickly from 0.

After some exploratory questions and a few rounds of visualizations, we discovered her underlying fears were “doing it wrong,” wasting her time, and failing (again) to make actual progress writing a book.

I suggested she try the 3x3 strategy, with flexible actions she could take at her own pace. The actions could be anything — with no set schedule, session length, or word count — so long as they related to her writing project.

Because she didn’t have a clear plan for her novel, we came up with specific actions that would help her build a strong foundation.

Grace started with researching comparable titles in her genre, identifying core themes and tropes, reading audience reviews and compiling lists of elements readers loved, identifying obligatory scenes and conventions, summarizing story structure, and brainstorming ideas that corresponded with her research.

All actions any author might take.

Writing isn’t just generating words.

She felt less pressure, she consistently found time for her actions, and, some weeks, she overshot her goals.

These small wins built her confidence and energized her to keep going.

During a week where 3 actions were all she could manage, she didn’t beat herself up about it — she was making real progress.

Also, certain days of the week and times of day emerged as ideal for working on her book — great for discovering a realistic routine.

With her newfound momentum, Grace tackled actionable steps like crafting a synopsis, developing character worksheets, outlining the story, and drafting sample scenes.

By building a clear structure and preparing material to work from, she’s setting the stage to transition smoothly into writing three times a week — and maybe even more consistently.

What’s one small, concrete action you can take TODAY to move your writing project forward?

Don’t overthink it.

It could be as simple as:

  • Outlining one scene

  • Writing for 15 minutes

  • Brainstorming a list of new ideas

  • Reading a few pages of a comparable title

Then, introduce the 3x3 strategy to build on that small action.

Choose 3 writing-related actions you can do each week for the next 3 months.

Anything counts, as long as it moves your project forward!

​Make time to write with the 3x3 strategy​.

Let me help you ​craft your personalized plan​.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

Subconscious writer's block

Writer's block is like an iceberg — the visible tip represents surface-level challenges like lack of inspiration, time constraints, or procrastination.

Beneath the surface lie deeper issues that significantly impact your creative process — subconscious fears, self-doubt, or perfectionism.

Addressing only the tip ignores the larger forces at play below.

Example:

The Tip: Procrastination — you spend hours researching without writing.

Underlying Fear: Fear of failure — writing feels risky without having every detail perfectly in place.

You might try to address procrastination by “just starting” and doing timed writing sprints. You set a timer and write for 15 minutes without stopping or self-editing.

While this tactic might temporarily bypass procrastination, it doesn’t address the fear of failure that drives your hesitation to start.

You might produce some words during the sprint but still feel paralyzed by self-criticism and doubts about the quality of your writing.

This just leads to a cycle of writing, judging yourself, and avoiding the task again in the future.

Another example:

The Tip: Lack of Inspiration — you feel stuck, unable to generate ideas worth pursuing.

Underlying Fear: Perfectionism — it's not a lack of ideas but an unwillingness to explore them, fearing they won't meet some imagined standard of excellence.

You might try to address a lack of inspiration by brainstorming or using idea prompts.

And while this might work in the moment, perfectionism can keep you discarding ideas prematurely without giving them enough time and attention.

The actual issue isn’t a lack of ideas — it’s fear of starting something imperfect, which stops you from giving your ideas a chance to develop.

This can lead to a cycle of false starts and creative frustration.

These are just a few examples of why a specific productivity tactic that works for other writers might not work for you.

To overcome your writer's block, you need to understand the underlying causes so you can try tailored strategies that actually address those issues.

Better tactics for procrastination and fear of failure might be reframing exercises, practicing affirmations, or setting more manageable process goals.

For lack of inspiration and perfectionism, free-writing, keeping an idea notebook, or doing “exposure” exercises might help free you from unrealistic standards.

What’s one visible block you struggle with? And what fear might be lurking underneath?

You don’t have to dive too deep — just start noticing patterns.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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Quiet your inner writing critic

Behind every “What if I’m not talented enough?” lies a more sinister whisper: “I’m not talented enough.”

Our inner critic exaggerates universal fears.

Take some of your own “What if…” questions and translate them into the blunt, declarative messages lurking underneath.

“What if no one likes my writing?”

→ “No one will like my writing.”

“What if I’m wasting my time?”

→ “I’m wasting my time.”

They’re harsh. Brutal, even.

Imagine saying them to someone you care about — a kid who loves books, a young writer, a close friend who confides they’re working on a novel.

You’d never utter words like this to another person — even a stranger — yet you tolerate this voice broadcasting in your own head all the time.

If you listen closely, you’ll notice another smaller voice that refutes these statements.

During a session, one of my clients said, “I hear a countering voice saying it’s not true. It’s bullshit.”

Exactly.

It’s fear-based distortion, not reality.

Are these negative messages literally true?

Or are you only afraid that they might be?

What if they’re not?

Self-doubt is a protective mechanism, not a truth teller.

Any message in your head is just as real as another.

If you practice listening for and discerning the right messages, you can learn to quiet your inner critic.

Affirmations can effectively shift mindset and challenge limiting beliefs. But they can feel inauthentic if not derived from our own self-talk.

Don’t just borrow somebody else’s generic affirmation like “I’m a successful author.”

Make sure they directly address and counteract your actual negative thoughts.

“No one will like my writing.”

Affirmation: “The right readers will connect with my writing.”

“My writing isn’t original.”

Affirmation: “My unique perspective adds value to every story I tell.”

What’s one positive affirmation you can use to combat your self-doubt this week?

Alternative exercise — I prefer to debate my inner critic in a longer conversation in my journal, calling out its negative messages with examples provided by the positive countering voice.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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The fears that stop you from writing

Nearly every writer — at some point — faces creative blocks.

That feeling of being stuck, questioning your abilities, or just struggling to get started.

It’s all part of the experience.

Creative blocks show up as familiar fears, like:

Self-doubt — the nagging voice that whispers, “Is anybody going to care about my ideas?”

Perfectionism — the urge to make everything flawless, leading you to endlessly plan and revise (or note write at all).

Fear of failure — the paralyzing anxiety of not meeting expectations, facing criticism, or simply not succeeding.

Fear of judgment — worrying so much about what other people are going to think about your work that you hesitate and self-censor.

Writers face these kinds of fears regardless of their skill or level of success.

Our fears often take the form of “What if” questions:

  • “What if I can’t pull this off?”

  • “What if I’m not good enough?”

  • “What if I pick the wrong project?”

What are your biggest fears about putting your words out there?

Notice your “What if” questions…

Identifying and acknowledging them is the first step in finding strategies to overcome them.

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

Work with me

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Rediscover your writing spark

When I was a little kid, even before I could read by myself, I took books to bed, hoping that if I fell asleep with them, I might dream my way into their worlds.

Books seemed like magic — portals to places where anything was possible.

Even then, I felt the pull of storytelling — not just as a reader, but as a creator. Among my childhood keepsakes are little books I “published,” tablet paper stapled together with illustrated covers and the grand flourish of “The End.”

A few years later, after reading The Lion, the Witch, and the Wardrobe and Tales of a Fourth Grade Nothing, I thought I want to do THAT.

Those books didn’t just entertain me, they changed the way I felt about the world. They made me laugh, wonder, and dream.

I wanted to create more of that feeling — that experience — not just for myself, but for others.

When adults asked me what I wanted to be when I grew up, I knew the answer: a writer.

Back then, it wasn’t about “success.” It was about connection — the hope that my stories could one day evoke the same magic for someone else.

Over the years, it’s easy to lose sight of that initial spark. Writing can feel like a chore or a competition, weighed down by self-doubt, expectations, and the never-ending demands of life.

When we feel blocked, it’s hard to believe we’re still the same writer who once felt inspired and hopeful.

The spark of purpose that first brought you to storytelling is still there. It’s a calling that keeps you coming back to the blank page. Even when it feels dim, it’s waiting for you to rediscover it.

Reconnecting with the why of your writing can transform your entire process.

It reminds you of your unique voice and the impact your stories can have — not just on others, but on you.

If you’re feeling blocked, doubtful, or stuck, it doesn’t mean you’ve lost your calling. Sometimes it’s a chance to pause, reflect, and find your way back to the source of your creativity.

Once you remind yourself of why you wanted to write, you’ll be one step closer to breaking through.

Take 15 minutes and answer these questions — in writing:

  • What drew you to writing in the first place?

  • What stories first inspired you to pick up a pen or sit down at a keyboard?

  • What do you hope your writing can give to others?

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

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I want to write, but...

You want to write, but something holds you back — fear, self-doubt, simply feeling stuck…

After writing nonfiction for 15 years, I burned out.

As part of my attempt to recover and keep writing, I started an m/m romance series. Something for fun. Something that I wasn’t “supposed” to be writing.

But after the success of the first book, I found myself terrified of writing the sequel.

Readers messaged me every day asking for the next book — I’d already agreed on a deadline with my editor — and the fear of disappointing them paralyzed me.

I was also emotionally exhausted, dealing with personal losses that made it hard to focus, and now I was “supposed” to be writing Book 2.

The pressure to deliver was crushing.

I wanted to write, but no matter how faithfully I stuck to my schedule and put my “butt in the chair” in front of the computer, I couldn’t force the words to come.

I couldn’t “just push through.”

I felt like a fake, like I was pretending to be a “real” writer.

It took time, and a lot of self-care, but I eventually found ways to manage the pressure and reconnect with my creativity.

I did complete and publish Book 2 — it was a bear of a project, and I’m proud of it — but because of that experience, I started this email series to share what I learned and how I worked through it.

Overcoming blocks like these isn’t about pushing through — or discipline, or desire, or inspiration, or sheer will — it’s about being kind to yourself, acknowledging your underlying fears, developing supportive habits, shifting your mindset, and being patient with the process.

Just because it doesn’t come easily doesn’t mean you’re not a real writer.

If you’re feeling the call to write but something is keeping you from it, know that you’re not alone and it is possible to move past all the “buts” — the doubts, the fears, the self-limiting beliefs, the external factors.

When you do, you can rediscover the hope and sense of purpose that motivates you.

What’s one thing that keeps coming up for you when you think “I want to write, but…”?

Slade

For more strategies on overcoming writer’s block and developing a sustainable writing practice, subscribe to The Writer’s Reboot.

What’s really stopping you?

Uncover your blocks and get back to writing with renewed energy and purpose.

Work with me

For daily posts about writing mindset,

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Make Time to Write with a 3x3 Strategy

What is a 3x3 strategy?

3 actions per week for 3 months

Take your writing project, whatever it is, and commit to 3 actions each week related to the project.

What counts as an action?

Anything that moves the project forward or allows you to focus on it.

It could be drafting or editing words, but it doesn’t have to be.

It could be:

  • Outlining

  • Journaling

  • Researching

  • Brainstorming

  • Studying craft books

  • Taking a writing course

  • Or daydreaming about the project

(Yes, daydreaming counts if you do it with intention. Sometimes you need to stare into space, contemplate, strategize, visualize. I call it “being in the book.” I log it on my work diary just as I do word counts.)

It could also be a different action every time.

How long does an action have to be?

Whatever you want.

An afternoon, an hour, 15 minutes…

Whatever works for you in the moment.

Do we have to schedule or repeat it every week?

Nope.

3 actions of any type, of any duration.

Don’t know what your writing project is yet?

Make figuring that out your 3x3 project.

  • Read comparables

  • Research

  • Journal

  • Make lists

  • Hell, listen to podcasts, or watch movies, TV shows, and documentaries related to your quest, and take notes

(Taking notes turns passive consumption into intentional learning.)

In the future, you can use a 3x3 strategy for other aspects of your writing journey:

  • Try new writing software

  • Learn self-publishing

  • Post on social media

  • Start a newsletter

  • Submit queries

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Strategies for the Stages of Writer's Block

All the preceding exercises we’ve looked at over the past few emails were intended to make choosing strategies to address your unique blocks easier and more effective.

Note:

Many of the strategies on this resource page would seem repetitive if viewed as a whole.

Focus on the stage of writer’s block you’ve already identified.

Hit the “v” icon to open the section you need.

Stages of Writer’s Block

The Reboot Practice as a Framework

Notice how you can integrate many of these strategies into the 90-Day Reboot. In some cases, simply adding a few additional tactical strategies will provide a comprehensive plan to follow.

Timeframe?

Since your circumstances are unique, I won't recommend a specific timeframe.

Consider starting with a one-week trial.

If that works well for you, extend it to 30 days.

You know what would help though?

Email me and share your plan.


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Strategies for the Sources of Creative Blocks

A lot of the sources of writer’s block lend themselves to mindset strategies.

Practices like mindfulness, self-reflection, and visualization may seem ephemeral, but you can make them actionable by incorporating them into journaling.

Suggestion:

Make a list of all the mindset-related strategies that resonate with you and use them as prompts/topics for the free-writing exercises in the 90-Day Reboot practice.

Note:

Many of the strategies on this resource page would seem repetitive if viewed as a whole.

Focus on the sources of writer’s block you’ve already identified in previous exercises.

Hit the “v” icon to view the section of recommended strategies you need.

Sources of Writer’s Block

For personalized insights and real-life examples, follow me on social media where I share my own experiences adapting these strategies.

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Strategies for Overcoming Creative Blocks

How to Select Your Strategies

Now that you know the source of your blocks, you can narrow down the strategies that are most likely to work for you.

Don't feel overwhelmed by the number of options — the point of choosing strategies is to be… strategic.

1: Start with Your Assessment Results

Review your answers to my previous emails and exercises.

  • Where are you on the spectrum of writer’s block?

  • What are your top sources of creative blocks? (Prioritize subconscious blocks — they often underlie others.)

  • Jot these down wherever you're tracking your progress.

2: Collect Some Strategies

Visit the linked resource pages and list the strategies that resonate with you. (Write down as many as you like. Any that feel like they’ll be helpful.)

3: Cull the List

Let’s trim it down:

  • Have you tried any of these before that didn’t work for you?

  • Are there strategies you already use regularly?

  • Are there similar strategies you can combine?

  • Do some strategies show up multiple times (duplicates)?

Remove these.

4: Make it Manageable

Consider an immediate goal or a smaller part of your greater goal.

Pick 1–3 strategies that you can realistically implement daily.

  • Which strategies appeal to you the most?

  • Is there one you’ve never tried before?

  • Is there one you’d like to pick back up?

  • Are any strategies unrealistic to maintain for more than a few days?

Save the others as alternates — you can revisit them later.

Implementation Tips

For mindset strategies, consistency is key. Consider practicing them daily for an extended period to encourage long-lasting changes.

Depending on your current stage, you might benefit from rotating between different tactical strategies (alternates) to keep your insights fresh and effective.

Last Consideration: Mindset vs. Tactical

When choosing, don’t pick only productivity hacks (tactical strategies).

I can’t think of any creative blocks that don’t also have a mindset component.

Make sure you have at least one of each kind of strategy.

Here again are the strategies pages:

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2 Kinds of Strategies for Overcoming Creative Blocks

Before you dive into choosing specific strategies for creative blocks, keep in mind that there are two kinds — those that focus on inner shifts (mindset) and those that involve productivity (tactical).

Mindset strategies deal with the psychological aspects of writing by tackling inner barriers like limiting beliefs and impostor syndrome.

They help reframe negative thoughts, address subconscious blocks, and shift perspectives for an enhanced approach to creative work.

  • Affirmations

  • Mindfulness

  • Visualization

  • Proprioceptive writing

  • Reframing negative thoughts

  • Meditation (including walking or guided meditations)

Mindset strategies are more abstract and can take longer to yield visible results, but they target the deeper root causes of creative blocks.

Tactical strategies are deliberate routines that can help you move past surface-level blocks.

They improve productivity, instill discipline, generate momentum, and create structure for creative work.

  • Outlining

  • Writing every day

  • Word count goals

  • Timed writing sessions

  • Scheduled writing times

  • Accountability partners

These are the practical tips and techniques that often yield immediate, if sometimes temporary, results. They work best when integrated into a larger, strategic framework for overcoming creative blocks.

Whenever you see anyone posting a tip or a “hack” for writer’s block/ creative blocks, ask yourself:

  • Is this a mindset-related strategy or is it tactical?

  • and does it address the sources of my creative blocks?

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Creative Blocks Beyond the Writing

Even when your writing process is going well, creative blocks manifest in other areas of your career.

Marketing

You struggle with promoting your work.

You say “I hate marketing,” and then you either avoid it, don’t have enough creative energy left for it, or you delegate it to someone and throw money at it without a clear strategy.

And you know it’s keeping you from reaching a wider audience.

Platform Building

You put off building or updating your website.

You procrastinate starting and sending out a newsletter.

You randomly post on social media without a plan, get discouraged by the lack of engagement, and end up quitting.

And maybe what you think you “should” be doing is part of the problem.

Networking

Like a lot of writers, you identify as an introvert, which makes it even harder to establish and nurture connections.

You see your peers collaborating and promoting each others’ work and it makes you feel like an “outsider.”

Publishing

You can’t decide whether to pursue traditional self-publishing.

Querying agents and enduring rejections feels daunting and all the elements of going indie overwhelms you.

Bureaucracy

Contracts, negotiations, rights, royalties, copyright, piracy, account terminations…

Navigating all the legal issues and red tape demands too much time and sucks the energy out of your creativity.

Technology

You feel overwhelmed by constantly needing to learn and adapt to new tools and tech.

You don’t feel confident about doing it on your own.

And you’re afraid of being left behind, invisible, your work languishing in obscurity.

Brand / Identity

What the hell is your “brand” exactly?

You don’t know how to make it authentic and effective without feeling like an imposter.

Creative Direction

Longevity as a writer depends upon maintaining a balance between repetition and innovation.

And yet, maybe the next best step is reinventing yourself and going in a completely different direction.

You’re stuck overanalyzing decisions about future projects.

Genre / Niche

You’re excited about new ideas, but you’re afraid pivoting genres will negatively impact established reader expectations.

You’re afraid of rocking the boat by taking creative risks.

Or you’re having trouble choosing the right niche for non-fiction and content creation.

If you niche down, the audience may be too small. If you go too general, your work gets lost in a saturated market.

Creative Fulfillment

You’re producing quality work, and it’s doing well enough.

But your writing doesn’t challenge you anymore. You’re not excited about it.

You’re unfulfilled and not realizing your potential.

Burnout

You’re not just burned out in your writing process, but also in managing all the demands of a successful writing career, a day job, and a personal life.

This is a holistic issue, where your writing is an escape from everything else crumbling around you.

Finances (Again)

Do we really need to keep beating the dead horse of money mindset?

Starving artist syndrome. Dwindling royalties. Pay-to-play.

If you could just make a living from your writing.

If you could just write full time.

If you could just write faster.

If you could just publish more.

If you could just catch a break and some lightning in a bottle…

Overcoming these various blocks requires a combination of strategic planning, continuous learning, and adaptability, along with introspection to address the underlying sources.

Although these challenges are beyond what we think of as “classic” writer’s block, the sources of these creative blocks (and their subconscious fears) are often the same.

Take a second look at the exercises in the Sources and Subconscious Blocks and the replies you sent me to previous emails.

Do the challenges you're experiencing beyond your writing craft and routine share the same underlying sources or subconscious blocks?

Overcoming any of them starts with clarity.

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Subconscious Creative Blocks

A writer's block is like an iceberg — a significant portion of it hides beneath the surface.

The tip of the iceberg is the obvious, easily discernible challenge you face, like: Lack of Inspiration, Time Constraints, External Obligations…

The bulk of the iceberg, submerged beneath the water, represents the subconscious beliefs, fears, and emotional barriers that hinder your creative process — Fear of Failure, Self-Doubt, Perfectionism…

To overcome writer's block, you need to dive deep and understand the underlying causes of your struggles, so you can then apply tailored strategies to address those issues.

Example

Let’s say, after completing the self-reflection exercise, you identified Time Constraints as a source of your writer’s block.

A popular strategy for addressing that is time blocking, so you decide to revamp your writing schedule.

It looks great on paper, but then…

You can’t seem to stick to it.

You’re still unable to write.

Because there’s a deeper issue underneath the Time Constraints, like: Self-doubt, Fear of Failure, or Impostor Syndrome.

“Tweaking your schedule” doesn’t address these underlying fears.

This is one reason a specific strategy that works for other writers may not work for you.

Other Examples

Here’s a few other examples of how the “Tip” of your creative block might mask a (Deeper Underlying Issue):

“Lack of Inspiration”

You constantly find yourself throwing away ideas before you give them a chance to develop, thinking they're not good enough.

But, deep down, it's not the lack of ideas that's the problem; it's the fear of not being able to execute them perfectly.

(Perfectionism)

More brainstorming sessions and idea generation strategies are great for Lack of Inspiration, but they won’t address Perfectionism.

“Procrastination”

You spend countless hours researching every detail of your story, convincing yourself that thorough preparation is essential.

But it's actually a fear of failure that's driving this behavior, because diving into writing without all the facts feels too risky.

(Fear of Failure)

A “just start” timed writing strategy might help you break out of Procrastination, but it won’t address the Fear of Failure.

There are tons of potential combinations.

Creative blocks that mask other underlying issues can be continuously interchangeable, and they’re unique to your experience.

They can also be “stacked,” having multiple layers.

Multi-layered Example

Here’s what that might look like:

“Procrastination”

(Perfectionism)

(Self-Doubt)

(Fear of Failure)

Here’s how it plays out:

You know you’re procrastinating.

That’s easy to identify.

You attempt to “just write” by doing sprints.

You set a timer for a short period and commit to writing without judgment.

But you end up with a jumbled mess of thousands of words that never seem right, no matter how much you revise and edit.

Because of… Perfectionism.

Ah-hah! Yes. That must be the issue.

First drafts are supposed to be messy.

You plow forward, resisting the urge to edit, putting words on the page.

Words for the sake of words.

But… Self-critical voices creep in:

“This is absolute garbage.”

“I’m just rambling.”

Self-doubt grows stronger the farther you stumble on.

You come across a social media post about using affirmations to combat self-doubt, so you start incorporating them into your daily routine.

But these positive statements feel insincere because, deep down, you're terrified of failure.

Affirmations might sound nice, but empty words won’t address the underlying fear.

Fear of Failure is the old ice, thick and hard at the bottom, undergirding everything above.

Here comes a nasty circle:

Fear of Failure is the true underlying source of your creative blocks.

And if left unaddressed, it leads back to procrastinating.

You avoid “just starting” because it won’t be perfect.

And you wind up doubting yourself…

Again.

It’s a vicious cycle.

“Just starting…” (with sprints) might address Procrastination; it might even touch Perfectionism.

But timed writing exercises don’t address Self-doubt, and they certainly don’t penetrate Fear of Failure.

You need the right strategy for a specific block. And, in some cases, a single strategy can address multiple layers of blocks.

Reframing is a strategy that actually addresses:

  • Perfectionism

  • Self-doubt

  • Fear of Failure

    (There’s an upcoming email in The Writer’s Reboot series about Reframing.)

So, what strategies can help you address the fundamental problem and multiple issues all at once?

How do you get to the core issue of your creative blocks and figure out what’s really holding you back?

How can you understand the different aspects of your blocks and how they're related?

I’ve developed a process for revealing these layers.

EXERCISE

Take a look at the assessment of your results from the self-reflection exercise — patterns, themes — and the email you sent me with the top sources of your writer’s block.

Go through the specific instances of blocks you listed and for each one, ask yourself:

“What is the deeper underlying fear?”

The goal is to find any subconscious source that may be manifesting as multiple sources.

You’ll probably still have more than one source, but if you can reduce, say, 5 sources to 2, you can streamline the choice of strategies for overcoming your blocks.

WRITE ME

Reply to the Subconscious Creative Blocks email I sent you and share any underlying sources you’ve identified.

The next email in The Writer’s Reboot series explores the other types of blocks sabotaging your writing career, and then we’ll get into strategies.

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